Perched above the bedrock at the shore of a remote Canadian lake, the cedar-clad Kennedy House takes formal cues from driftwood. The three-bedroom house, dock house, garage, and walled vegetable garden are linked by a series of wooden walkways and decks. At the “kiss line” between two prefabricated modules, the longitudinal form of the house snaps like a branch held together only by bark. The open break forms a V-shaped outdoor room facing the water.

The walls frame a courtyard like a clearing in the forested area along the shore. While the garage and garden doors blend into the wood, the main entry interrupts it with an irregularly shaped sheet of glass, as though the surface has begun to tear at the kiss line. Floor-to-ceiling, full-length glass on the lakeside façades of both modules allows each to present a distinct, expansive view of the lake and its islands. Being inside the house feels like floating over the water.

The organization and details of the interior living space reinforce the sense of openness established by the glass. The kitchen counter is shifted slightly back from the glass, a thin slab of back-cut soapstone forms a dining island, and the fireplace is transparent on three sides. Polished teak surfaces continue from the walls and ceiling of the master bathroom to the counter, sink, and tub. Private living spaces occupy the far ends of the modules, where the end walls angle toward the tree canopy.

Project by Lazor Office

Photos by Peter VonDeLinde